Director : James Cameron

Writer(s) : James Cameron

Genre : Action, Adventure, Sci-Fi

Cast : Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Joel Moore, Giovanni Ribisi, Michelle Rodriguez, Laz Alonso, Wes Studi, CCH Pounder, Dileep Rao, Matt Gerald, Sean Anthony Moran, Jason Whyte, Scott Lawrence

Summary : In the epic action adventure fantasy “Avatar”, James Cameron, the director of “Titanic”, takes us to a spectacular new world beyond our imagination. On the distant moon Pandora, a reluctant hero embarks on a journey of redemption, discovery and unexpected love – as he leads a heroic battle to save a civilization.

The story’s protagonist, Jake Sully, is an ex-Marine who was wounded and paralyzed from the waist down in combat on Earth. In order to participate in the Avatar program, which will give him a healthy body, Jake agrees to travel to Pandora, a lush rainforest environment filled with incredible life forms – some beautiful, many terrifying. Pandora is also the home to the Na’vi, a humanoid race that lives at what we consider to be a primate level, but they are actually much more evolved than humans. Ten feet tall and blue skinned, the Na’vi live harmoniously within their unspoiled world. But as humans encroach on Pandora in search of valuable minerals, the Na’vi’s very existence is threatened – and their warrior abilities unleashed.

Jake has unwittingly been recruited to become part of this encroachment. Since humans are unable to breathe the air on Pandora, they have created genetically-bred human-Na’vi hybrids known as Avatars. The Avatars are living, breathing bodies in the real world, controlled by a human driver through a technology that links the driver’s mind to the Avatar body. On Pandora, through his Avatar body, Jake can be whole once again. Moreover, he falls in love with a young Na’vi woman, Neytiri, whose beauty is matched by her ferocity in battle.

As Jake slides deeper into becoming one of her clan, he finds himself caught between the military-industrial forces of Earth, and the Na’vi – forcing him to choose sides in an epic battle that will decide the fate of an entire world.

Conceived 14 years ago and over four years in the making, “Avatar” breaks new ground in delivering a fully immersive, emotional story and reinvents the moviegoing experience.

Avatar Movie Trailer 1

Avatar Movie Trailer 2

Runtime : 162 mins

Awards : Won 3 Oscars. Another 25 wins & 50 nominations

Director : Mel Brooks

Writer(s) : Gene Wilder, Mel Brooks

Genre : Comedy, Sci-Fi

Cast : Gene Wilder, Peter Boyle, Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, Richard Haydn, Liam Dunn, Danny Goldman, Oscar Beregi Jr., Arthur Malet, Anne Beesley, Monte Landis, Rusty Blitz, John Madison

Summary : Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit “western” Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family’s reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name “Fronckensteen” and denies interest in replicating his grandfather’s experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal “How I Did It” in his grandfather’s castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Feldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little “Puttin’ On the Ritz” soft-shoe, but the monster escapes again, this time seducing Frankenstein’s uptight fiance Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks’ cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles.

Director : Franklin J. Schaffner

Writer(s) : Michael Wilson, Rod Serling

Genre : Action, Adventure, Mystery, Sci-Fi

Cast : Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly, Linda Harrison, Robert Gunner, Lou Wagner, Woodrow Parfrey, Jeff Burton, Buck Kartalian, Norman Burton, Wright King, Paul Lambert

Summary : This big budget “re-imagining” of the 1968 original departs somewhat from both that classic science fiction film and the source novel by author Pierre Boulle. Mark Wahlberg stars as Leo Davidson, an astronaut of the early 21st century whose unauthorized mission to rescue a chimp companion from a mysterious space storm goes awry when he and his ship are lost through a rip in the fabric of time. Leo crash-lands on a planet where intelligent, talking apes are the dominant species and humans a conquered slave class. Befriending both a chimpanzee activist named Ari (Helena Bonham Carter), who’s sympathetic to humans, and a beautiful human rebel, Daena (Estella Warren), Leo quickly becomes a prominent figure of resistance to his fellow humans. This makes him an instant source of irritation for the militant and ambitious General Thade (Tim Roth) and his trusted adjutant, Attar (Michael Clarke Duncan), who intend to hunt Leo down and crush the burgeoning human uprising. War looms between ape and human as Leo and his band head for a sacred site deep in an off-limits desert, where secrets about the planet’s ape and human ancestry wait to be revealed. Planet of the Apes is directed by Tim Burton and features the original film’s star, Charlton Heston, in a cameo role as the dying father of Thade.

Director : James Whale

Writer(s) : William Hurlbut

Genre : Horror, Sci-Fi, Thriller

Cast : Boris Karloff, Colin Clive, Valerie Hobson, Ernest Thesiger, Elsa Lanchester, Gavin Gordon, Douglas Walton, Una O’Connor, E.E. Clive, Lucien Prival, O.P. Heggie, Dwight Frye, Reginald Barlow, Mary Gordon, Anne Darling

Summary : This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley’s wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel -Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein’s monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster — this time a woman! After a wild and wooly “creation” sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster’s tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. “She hate me,” he growls, “Just like others!” Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film’s occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.

Director : James Whale

Writer(s) : Mary Shelley, Peggy Webling

Genre : Drama, Horror, Sci-Fi, Thriller

Cast : Colin Clive, Mae Clarke, John Boles, Boris Karloff, Edward Van Sloan, Frederick Kerr, Dwight Frye, Lionel Belmore, Marilyn Harris

Summary : Still regarded as the definitive film version of Mary Shelley’s classic tale of tragedy and horror, Frankenstein made unknown character actor Boris Karloff a star and created a new icon of terror. Along with the highly successful Dracula, released earlier the same year, it launched Universal Studio’s golden age of 1930s horror movies. The film’s greatness stems less from its script than from the stark but moody atmosphere created by director James Whale; Herman Rosse’s memorable set designs, particularly the fantastic watchtower laboratory, featuring electrical equipment designed by Kenneth Strickfaden; the creature’s trademark look from makeup artist Jack Pierce, who required Karloff to don pounds of makeup and heavy asphalt shoes to create the monster’s unique lurching gait; and Karloff’s nuanced performance as the tormented and bewildered creature. Frankenstein was greeted with screams, moans, and fainting spells upon its initial release, obliging Universal to add a disclaimer in which Edward Van Sloan advises the faint of heart to leave the theater immediately. If they don’t: “Well…we’ve warned you.” Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.