Director : Quentin Tarantino

Writer(s) : Quentin Tarantino, Uma Thurman

Genre : Action, Crime, Thriller

Cast : Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine, Michael Madsen, Julie Dreyfus, Chiaki Kuriyama, Sonny Chiba, Chia Hui Liu, Michael Parks, Michael Bowen, Jun Kunimura, Kenji Ohba, Yuki Kazamatsuri

Summary : Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.

Director : Ridley Scott

Writer(s) : David Franzoni

Genre : Action, Adventure, Drama

Cast : Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Richard Harris, Derek Jacobi, Djimon Hounsou, David Schofield, John Shrapnel, Tomas Arana, Ralf Moeller, Spencer Treat Clark, David Hemmings, Tommy Flanagan, Sven-Ole Thorsen

Summary : A man robbed of his name and his dignity strives to win them back, and gain the freedom of his people, in this epic historical drama from director Ridley Scott. In the year 180, the death of emperor Marcus Aurelius (Richard Harris) throws the Roman Empire into chaos. Maximus (Russell Crowe) is one of the Roman army’s most capable and trusted generals and a key advisor to the emperor. As Marcus’ devious son Commodus (Joaquin Phoenix) ascends to the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well, and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took away his freedom and laid waste to his family, Maximus believes that he can use his fame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule, Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi, Connie Nielsen, Djimon Hounsou, and Oliver Reed, who died of a heart attack midway through production.

Director : Akira Kurosawa

Writer(s) : Ryunosuke Akutagawa, Akira Kurosawa

Genre : Crime, Drama, Mystery

Cast : Toshirô Mifune, Machiko Kyô, Masayuki Mori, Takashi Shimura, Minoru Chiaki, Kichijiro Ueda, Fumiko Honma, Daisuke Katô

Summary : This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 12th-century Japan. The priest and the woodcutter, each looking stricken, discuss the trial of a notorious bandit for rape and murder. As the retelling of the trial unfolds, the participants in the crime — the bandit (Toshiro Mifune), the rape victim (Machiko Kyo), and the murdered man (Masayuki Mori) — tell their plausible though completely incompatible versions of the story. In the bandit’s version, he and the man wage a spirited duel after the rape, resulting in the man’s death. In the woman’s testimony, she is spurned by her husband after being raped. Hysterical with grief, she kills him. In the man’s version, speaking through the lips of a medium, the bandit beseeches the woman after the rape to go away with him. She insists that the bandit kill her husband first, which angers the bandit. He spurns her and leaves. The man kills himself. Seized with guilt, the woodcutter admits to the shocked priest and the commoner that he too witnessed the crime. His version is equally feasible, although his veracity is questioned when it is revealed that he stole a dagger from the crime scene. Just as all seems bleak and hopeless, a baby appears behind the gate. The commoner seizes the moment and steals the child’s clothes, while the woodcutter redeems himself and humanity in the eyes of the troubled priest, by adopting the infant.